I've been thinking for a while about how the installation of paintings--specifically grouping work at close proximity-- activates otherwise autonomous pieces in a way to create something new. Above, paintings are stacked with a small space between them.
Below, four paintings butted up next to one another.
Below, four paintings butted up next to one another.
The same grouping with a bit of space between each.
I prefer the first version of this quartet--there is a tension created by the forms in each discrete work seemingly pushing up against each other. It's also somewhat awkward, which I like.
I've "framed" the four paintings with a background of reddish- brown painted on the wall. A somewhat random choice, as I was working with a selection of latex paints from a give-away pile of an artist leaving our building. Ideally I was thinking of a sort of sap green (or hot pink?), but this works, for now.
I've "framed" the four paintings with a background of reddish- brown painted on the wall. A somewhat random choice, as I was working with a selection of latex paints from a give-away pile of an artist leaving our building. Ideally I was thinking of a sort of sap green (or hot pink?), but this works, for now.
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This pairing makes me think of mirror images and repeat patterns. When grouped as multiples the presentation becomes somewhat sculptural-- I am more aware of the dimensions of the panels-- and not just the images alone--which is what I want to have happen with these.
Then again, not all pairings work out. Above, the top painting is quite articulated. The bottom piece--the direction I want to go in--is less so. It's a stand-alone piece, at least for now, and my favorite of the summer. (It is also the same painting, different incarnation, as the top one in the "mirror image/repeat pattern" photo above.)
Fall Update: Here's the next phase of pairs--something kaleidoscopic occurring in latest work--and not just because this is a blurry pic. But that helps!
